Hello, everyone! I’ve had my nose to the grindstone working on Oathbringer. However, as awards season is upon us again, I’m pausing to do my yearly roundup of what I have that is eligible.

I know that to many of you, the science fiction awards (and the occasional drama surrounding them) are of little interest. However, I think it is important for me to support these awards, as they are valuable for our community.

Science fiction and fantasy, as genres, have become increasingly mainstream. In addition, those outside fandom are coming to understand us better. However, we continue to face unfair treatment by certain literary circles. We can’t simply say, “Hey, you shouldn’t regard an entire genre with derision, particularly when the genre is so wide,” without in turn saying, “Take a look at these books as great examples of what we do well.”

It is important that we in the genres uphold what we think is excellent about what we do. Those authors—and the world at large—deserve to understand that we’re proud of ourselves and of what we accomplish.

At worst, awards are a popularity contest. And that’s just fine. At their best, though, they are the means by which we grow as a community.

This year has a special difference from previous years, in that the Hugo Awards is trying out an award for Best Series. Below I’ve listed what I have that is eligible for the Hugo and Nebula awards this year. In addition to the below, last year Camera Panda filmed my university writing lectures, which are well worth watching and are eligible as Best Related Work.

Hugo Awards nominations are open to all members of the 2016, 2017, and 2018 World Science Fiction Conventions, and the deadline is March 17. You had to be a member by January 21st to nominate, but it’s not too late to become a member of the 2017 Worldcon in order to vote on the final ballot once it’s announced.

The Nebula nomination deadline, for SFWA members, is tomorrow, February 15.

Best Novel

• The Bands of Mourning
• Calamity
• The Dark Talent

(Note: Calamity and possibly The Dark Talent are also eligible for consideration by the Andre Norton Award jury.)

Best Novella

• Mistborn: Secret History
• Edgedancer (appeared in Arcanum Unbounded: The Cosmere Collection)

(Note: Both of these novellas are slightly over 40,000 words and thus are eligible as novels for both the Nebula and Hugo Awards. However, under the Hugos’ 20%/5,000-word category relocation rule, they are also eligible for the Best Novella Hugo Award, where they fit best.)

Best Series (Hugo Awards only)

• Mistborn
• The Stormlight Archive
• Alcatraz vs. the Evil Librarians

In these award eligibility posts, I generally pick one thing I’d like to highlight for awards consideration. Usually it’s a novella or novel I think represents my best work of the year, or the one that I think stands best on its own.

This year, however, I feel that my novellas and novels don’t work independently. The novellas are both parts of larger series, requiring foreknowledge to really work. The two novels I released were the third in their respective series.

(Arcanum Unbounded could be eligible for the World Fantasy’s anthology award, but that is juried by a committee. So it’s up to whoever is part of that jury, not the voting public.)

Therefore, the thing I’d like to highlight this year is Mistborn for the Best Series Hugo Award. Mistborn had two entries this year, and I do think I’m doing something particularly interesting with that series. (Taking an epic fantasy world and pushing it toward a modern-day urban fantasy.) I would rather people consider it, than the Stormlight Archive, as I’d prefer the attention be on Stormlight in a year when it has a full novel in consideration. Hopefully we will have many more years of the Series Hugo to consider worthy works.

Any of you who haven’t read the Evil Librarians series might want to duck out here, because I’m going to talk about the big reveal at the end of the fifth novel. This is a post that’s been brewing since 2006, so I’m eager to talk about it—but anyone who has read stories like Secret History will know that I like to brew surprises over the long haul. I’d rather you discover this on your own, by reading the series. I’ve posted before my pitch on what the books are about, and why you might like them.

For those of you who have read up to the fifth book, it’s time to give a behind-the-scenes look at what happened with this series.

If we look back to 2006, we can find the seed of the first book in a writing prompt I wrote out for myself: “So there I was, tied to an altar made from outdated encyclopedias, about to be sacrificed to the dark powers by a cult of evil librarians.”

Great first line to a story. I typed it into my phone while at a meeting one day, and quickly became enthralled by it. I’d been reading a lot of middle grade, and wanted to try my hand at something in the genre. I discovery-wrote the story, mostly as a writing exercise—and as a break from the Mistborn series, which I felt needed some breathing room before I could work on the next book.

The story turned out great. Quirky, sarcastic, and fun. So I sent it to my agent, and he liked it too. It took us only a few months to get four offers. Each of the editors we were talking to wanted to know, what was my vision for the series?

And this was tricky because the first book had left me in a bit of a conundrum. You see, a big theme of that first book was a character telling their life’s story and warning everyone that he wasn’t a hero, that things ended poorly for him. And yet the series was lighthearted and fun, full of humor and wackiness. It didn’t have the dark tone of Lemony Snicket, despite the main character’s insistence that he was no hero.

I felt I’d promised the audience a fun reversal—that Alcatraz would end up being a hero, even if he didn’t think he was one. This was tricky though, because I had the feeling that if I ended it that way, it would be too obvious. Somehow I had to have an ending that justified Alcatraz thinking he was a huge failure in life, but at the same time indicating to the reader that he was actually heroic.

And that’s when I hit on a structure that would let me do this. I pitched the following to the various editors interested in the books: I’ll write a six-book series that I tell everyone is five books long. The main character will write five, and the fifth will end with the disasters he predicted. This will show exactly why he thinks of himself the way he does.

But then the sixth book will be from the viewpoint of his bodyguard, continuing the story and giving the real ending.

I felt this would work because it played into the themes of Alcatraz being honest about his past, mixed with his feelings of failure. But it would at the same time let us have an ending that wasn’t quite so much of a downer. All it required was that we remain quiet for six years or so (it ended up being ten) about the secret sixth book. (In the intervening years, if people asked me if book five was the end, I tried to always answer, “The fifth book is the last one Alcatraz will write.”)

Some of the editors loved this idea, and others didn’t like it at all. One who loved it was Susan at Tor, who is now publishing the books—so yay!

My initial pitch for the release of book five this year was to have a little envelope inside the back cover that you opened and found a note from Bastille, saying she was going to write the last book. However, that proved to be a problem. First, it’s easy to lose a card from an envelope, which meant that library books and secondhand books risked having the true ending get lost. Second, it seemed like it would just be too much for people to resist opening early. We ended up going with a folded-over page at the ending, which at least can’t get lost. (And in the ebook, Bastille’s note is at the very, very end, past all the footnotes, like a post-credits scene.)

So what does this mean for the future of the series? Well, two years ago I posted a screenshot of my folder showing all of my books in order. It hid a secret project, scribbled out. People assumed this was Secret History, and I didn’t disabuse them (as I was working on it at the time). But it’s actually Evil Librarians Six, which I’ve done a bunch of work on. I’m not sure when I’ll have it out, but it won’t be too long. (I will probably finish it sometime next year.) I’m tentatively calling it Alcatraz Bastille vs. the Evil Librarians: The Worldspire. (Yes, Alcatraz’s name will likely be crossed out on the cover, with hers written over it.) Originally I’d named it Alcatraz vs. His Own Dumb Self, but I think that might be going too far.

Thank you to all the fans who have kept with this series over the years. It’s because of you that I went through all the trouble of buying the series back from the old publisher, when they decided to end it at four books. And it’s because of you that we have the gorgeous new Tor editions, finally with cover art that fits the books. (Not to mention the awesome interior art.)

But book six WILL be the last. You can trust this, because it’s me saying it, not Alcatraz.

Brandon

Alcatraz vs the Evil Librarians book 5, The Dark Talent, came out this week—including the ebook and the digital audiobook from Audible and iTunes (not in all regions); the CD version comes out on October 15th. Check the region tabs in the widget to see what’s available in your area.

If you’re not familiar with my middle-grade series, this post is a great introduction. To get you up to speed, the first four ebooks are on sale at just $2.99 until Saturday (at least in the US; prices abroad may vary).

• Book One: Alcatraz vs. the Evil Librarians
• Book Two: The Scrivener’s Bones
• Book Three: The Knights of Crystallia
• Book Four: The Shattered Lens

My release party on Tuesday was at The King’s English, and they still have signed copies of the first four books (as well as most of my other books). They expect to have more of The Dark Talent in stock next week, which I will also get signed. If you don’t live in the Salt Lake City area, they’re happy to ship books straight to you! This is easily done from their website, but if you have any questions you can reach out to them directly at books@kingsenglish.com.

I also have another event for The Dark Talent at the Springville Public Library, in Springville Utah, this Saturday at 3:00. You can see full details on my Upcoming Events page.

In other news, my Cosmere novella Shadows for Silence in the Forests of Hell is being featured in an ebook Storybundle right now. I’ve participated in a couple of these before, and it’s a neat way for people to pick up a collection of DRM-free ebooks from different authors.

You can choose your price (though Shadows for Silence is included only if you choose more than $15) and adjust the percentages for how much should go to the authors, Storybundle, or a charity. This Storybundle runs less than three weeks, so check it out.

Here’s a collage of the included books:

The Dark Talent Release and Signings

Tuesday, September 6th

Time: 6:00–8:00 p.m.
Address: The King’s English Bookshop
Salt Lake City, UT 84105
Phone: 801-484-9100

The King’s English says:

Join New York Times bestselling author Brandon Sanderson for a reading and signing of his new book, The Dark Talent.

Places in the signing line are reserved for those who purchase a copy of The Dark Talent from The King’s English.

Hayley Lazo, Alcatraz’s illustrator, will also be happy to sign all of your books!

Saturday, September 10th

Time: 3:00–5:00 p.m.
Address: Spingville Library
45 South Main
Springville, UT 84663
Phone: 801-489-2720

The Springville Library has a flyer about the event here.

Hayley Lazo, Alcatraz’s illustrator, will also be happy to sign all of your books!

And here is some more information from the library:

• The tickets for the Q&A portion of this event are all reserved.
• Please add your name to our wait list at SpringvilleLibrary.EventBrite.com so we can fill any possible cancellations.
• Ticket and wait list lines begin at 1:30pm. Book signing only line begins at 4pm.
• If you have a ticket for this event, you must be in your seat by 2:45pm. At 2:50, any unoccupied seats will be released to the wait list.
• You do not have to attend the Q&A to have a book signed.